DEEP STYLE
INTELLIGENT INFERENCES
UNCOMFORTABLE
CROSS MODAL KANDINSKY
Kandinsky and the broader Bauhaus mapped colors to shapes (so simple geometries may bear canonical colors).
Point and Line to Plane
In visual perception a color is almost never seen as it really is—as it physically is. This fact makes color the most relative medium in art. In order to use color effectively it is necessary to recognize that color deceives continually. To this end, the beginning is not a study of color systems.
Josef Albers, Interaction of Color (1963)
IGNORANT SHADOWS
What is the contribution of shadow to the representation of form? When does visual brain use or discard shadow information?
The Visual World of Shadows. Casati and Cavanagh (2019).
BIOMETRIC SKELETONS
INTELLIGENT INFERENCES
DEEP STYLE
UNCOMFORTABLE
CROSS MODAL KANDINSKY
Kandinsky and the broader Bauhaus mapped colors to shapes (so simple geometries may bear canonical colors).
Point and Line to Plane
In visual perception a color is almost never seen as it really is—as it physically is. This fact makes color the most relative medium in art. In order to use color effectively it is necessary to recognize that color deceives continually. To this end, the beginning is not a study of color systems.
Josef Albers, Interaction of Color (1963)
IGNORANT SHADOWS
What is the contribution of shadow to the representation of form? When does visual brain use or discard shadow information?
The Visual World of Shadows. Casati and Cavanagh (2019).
BIOMETRIC SKELETONS
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